Pianist Bradley Moore has appeared in recital with mezzo-sopranos Susan Graham and Jamie Barton; sopranos Renée Fleming, Christine Goerke, and Angela Meade; bass-baritones Ryan Speedo Green and Eric Owens; and tenor Eric Cutler, among others. He’s been a piano soloist with such orchestras as the National Symphony Orchestra and Buffalo Philharmonic Orchestra, performed the Martinů Harpsichord Concerto with the San Francisco Ballet Orchestra for the world premiere of Mark Morris’s Beaux, and appeared as a recitative accompanist and continuo player with the Metropolitan Opera Orchestra, Vienna Philharmonic, Los Angeles Philharmonic, and Met Chamber Ensemble.

Moore is also a conductor who’s served as the associate music director of the Houston Grand Opera and the assistant conductor of The Metropolitan Opera, the Salzburg Festival, the Canadian Opera Company, Opéra National de Paris, and LA Opera. In Houston, he conducted the world premieres of Ricky Ian Gordon’s The House Without a Christmas Tree and Laura Kaminsky’s Some Light Emerges, the revival of Rachel Portman’s The Little Prince, and performances of Puccini’s Tosca, Donizetti’s L’elisir d’amore, and Mozart’s The Magic Flute. He conducted Strauss’s Ariadne auf Naxos, Jake Heggie’s Dead Man Walking, Janáček’s The Cunning Little Vixen, and Ward’s The Crucible at the Miami Music Festival and Puccini’s Madama Butterfly at the Castleton Festival.

Bradley Moore’s discography includes The House Without a Christmas Tree with the Houston Grand Opera and a recital with soprano Melody Moore for Pentatone, a recital with Cutler for EMI Classics, a recital with clarinetist Julian Bliss for Signum Classics, and a recital of songs by Daron Hagen for ARSIS Audio.